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Moriah College student experiences studio life – guest blog by Brett

Hi, I’m Brett, a year 10 student at Moriah College.

I’ve been doing work experience here at BEES for a couple days now. Besides all the office and computer work I’ve been doing, I have had the opportunity to work with Dr Sarah Jane Moore on some of her artwork.

She got me started rasping some oyster shells, and I tried to be as careful as possible not to leave any sharp edges because little kids are going to be handling them. Next I washed them using the lab sink, and watched how the light reflected off shiny parts of the shells. I thought it would be very attractive if we could display those beauties in good lighting.

I’m rasping the shells. I’m actually left-handed, so holding the rasp in my right hand was a little awkward. Luckily it wasn’t for a long time.

At the same time, I was learning about nature based art-making practices, and Dr Sarah Jane even showed me how to detail an art piece using an echidna quill, which really gave the piece a more authentic feel. She got the quill from Georgia Badgery, an honours student studying ecology, specifically echidna diets and foraging. Georgia lived out in Fowler’s Gap for two months at the Arid Zone Research centre in Western NSW and tracked 7 echidnas, including one she named Snuffy.

Georgia gave Snuffy’s quill to Dr Sarah Jane to use in her artwork collection, which will displayed in at the entrance to the bioscience building at UNSW during NAIDOC week, right next to the cave bear skeleton.

I need to determine the eight best-looking shells out of 33. Only 24 of those are actually shown in the photo. There wasn’t enough space in the container.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The collection is titled ‘I know where Oysters Lie’, and it will also be shown at Culture At Work in the Accelerator Gallery at Pyrmont, 6-8 Scott Street. It will be displayed from the 6th until the 16th of November, and the opening night is on a Saturday, from 5-7pm.

Working with Dr Sarah Jane has been a great experience, and I’m looking forward to seeing the complete collection.

I’ll be involved with setting up the artwork tomorrow, which I’m very excited about.

See ya,

Brett.

 

 

Posted by on July 3, 2019 in Uncategorized

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Studio life in a lab – the residency takes shape

Sarah Jane Moore is an artist, performer and researcher and in May 2019 she became the recipient of a six-month pilot aNAT Synapse on Country Residency. Sarah Jane is hosted in the school of Biological, Earth and Environmental Sciences (BEES) at UNSW Sydney in a lab space where she creates her work. It is the first time that Sarah Jane has ever worked collaboratively with the scientific community and she has found the experience an exciting and inspiring one.

The picture featured above was taken by Dr Anne Galea and features Dr Laura Parker, Dr Sarah Jane Moore and aNAT’s Director Vicki Sowry during the first project meeting. At this meeting in May, Head of School Alistair Poor, Sarah Jane and Laura met with Vicki and Dr Anne Galea and Dr Rebecca Le Bard to support and grow and yarn about the project and this first conversation seeded the ‘I know where oyster lies exhibition’.

Creating visual art works in a laboratory in BEES at UNSW has required Sarah Jane to gain knowledge of hazards and controls to minimise risk in a laboratory and she has been required to gain skills in the ability to use Chem Alert and  to understand basic chemical labelling. She has been trained in understanding the basic requirements for plant and equipment and laboratory safety awareness. She now wears a lab coat to work and shares her table with colleagues who peer down microscopes to identify bug parts and collect, label and dry plants. Sarah Jane’s work in the lab has challenged the stereotypes and fixed ideas that she had about a laboratory being a sterile and sanitary environment. When she first arrived, there was a large television, multiple buckets of red sand and an old door with rabbit skins drying in the corner of her work space. Sarah Jane has loved the red dust. It permeates her work space and settles on her art work and in mid June she has a bucket of it donated to the project alongside three rabbit skins.

Hongyuan Ma gifted me some seeds from the Casuarina glauca or the Swamp Oak shrub collected from Mt Barker in Western Australia in November 2012. The seeds have salt tolerance and she is working on seed germination in response to bacteria and salt. She is a visiting scholar from China, Northeast Institute of Geography and Agroecology, the Chinese Academy of Sciences. I am using her seeds in my work and they have inspired a seed series within the oyster ecologies.

The chance meeting with Hongyuan Ma in the laboratory has introduced the seed metaphor to the series. Viewing her slides and the growth and beauty that emerges from her experiments has inspired emergent themes. I encounter the desert grass seeds through Hongyuan’s science and begin to establish a relationship with her seeds and the Baludarri. I bring the seeds to the work and nestle their shapes amongst the shells.   Hongyuan Ma’s changing, growing seeds are remembered. Growth, repair, survival.  From bones to shells and seeds, the work shifts and changes under the laboratory lens.

Feathers float. Seeds germinate. Butterflies are free.

As part of their research partnership, Sarah Jane regularly speaks to her research partner Dr Laura Parker. Laura is an Indigenous scientist who has focused her career on the impacts of climate change on marine molluscs, particularly the Baludarri, Sydney Rock Oyster. Working in collaboration with industry, Laura’s research is providing solutions to prevent the loss of the Baludarri which is vital to the health of marine and estuarine ecosystems, a major source of protein for nations around the globe and a cultural link for Indigenous Australians to their traditional lands. In May Sarah Jane had the opportunity to attend the 3rd Australia New Zealand Marine Biotechnology Society Conference at UNSW and hear Laura present on her research. Listening to Laura and her colleagues present their research, iterate their knowledge and demonstrate their commitment to and expertise in caring for Sea Country was profound.

Listening to Laura present her work was life changing. It was a case of right place, right time. I was transfixed.

In that time, at that moment there was no place that I would have rather been.

I was mesmerised by this oyster woman, this scientist, this proud Wiradjuri woman before me presenting her work.

Such poise! Such grace! Such knowledge!

I was hooked.  SJM

As part of the aNAT residency, Sarah Jane will be spending time at the Port Stephens Fisheries Institute on Worimi Country where she will observe a long-term experiment of Laura’s aimed at understanding the physiology of the Baludarri. During this experiment, adult Baludarri’s will be collected from the field and brought into the laboratory at the Port Stephens Fisheries Institute where they will be held in 750L flow-through tanks. There will be 100 oysters per tank and the oysters will be fed 300L of algae per day. The experiment involves over 3000 oysters and following an acclimation period, a range of physiological measures will be assessed to better understand the way in which the oyster’s function and their capacity for resilience to climate change.

Sarah Jane’s first visit to Worimi Country will be in July during NAIDOC Week. Sarah Jane will observe, respond to and use the experiment and science surrounding the experiment to create new work back in the lab. She will also connect to community and respond to Worimi Country.

During their time together in Port Stephens, Sarah Jane and Laura will give their first workshop together.  As part of their outreach, they have planned a story telling workshop to be delivered within a pre-school context at a local child care centre. The group of young nature lovers and emerging scientists  are eagerly awaiting NAIDOC Week when Sarah Jane and Laura will share their work.

Sarah Jane and Laura pay their respects to the Worimi peoples, their Elders, past present and emerging for sharing their traditional lands and both scholars are hoping to deepen their understandings of Worimi cultural practise throughout this project.

 

 

Posted by on June 23, 2019 in Uncategorized

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lunawanna-alonnah and oyster yarns on Bruny Island

In June I spent a week in lutruwita Tasmania and journeyed to lunawanna-alonnah Bruny Island. I stayed in a windswept old farm house on a hill. There were pine cones to collect from the pine forest, fires to build from wood dragged up from fallen trees and black cockatoos a plenty. I walked down to the cliffs at the end of the property and scampered down the sand stone to the rocks below. I collected oyster shells from the shore line and chipped off oysters to taste them. Live and salty they were soft to touch. I pocketed some shells and took them back to the house and lined them up on the deck. I called Laura to ask her what sort of oysters they were and she confirmed that these were the Pacific Oysters. 

I was shocked. The invaders! The colonising species. How different they were. How plentiful. How large! How they clinged on!

We discussed if I could bring them back to work on them and with them. I found them beautiful and so different from the Baludarri. On her advice, I collected the shells and placed them in a bucket of chlorinated water. 

It came to pass that I left them in the bottom of my friend’s garden. They would not travel with me.  I would not work with these shells nor share their stories. They needed to stay. 

 

Posted by on June 9, 2019 in Uncategorized

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I know where oysters lie song writing process

On June 3 and June 25,  Educational Developer and Educational Media Manager at UNSW Brian Landrigan and Sarah Jane Moore met at the M2C Media Studios in Kensington Sydney to facilitate a song writing session with composer and musician Richard Starr. Richard dialled in from his home studio in Katherine, in the Northern Territory and Brian, Richard and Sarah Jane recorded and refined the song that Sarah Jane had written at the beginning of the project. Brian facilitated the session through his studio using VST Connect.

The genesis of the song emerged from a conversation between Sarah Jane Moore and research partner Laura Parker with microbiologists Dr Anne Galea, Dr Rebecca Le Bard, marine scientist Professor Alistair Poor and Vicki Sowry, Director Of the Australian Network for Art and Technology. During the conversation Alistair explained that Sydney’s white settlers destroyed sea Country in the early years of their occupation of the Indigenous sacred harbour lands. The settlers destroyed the oyster beds and changed the ways in which sea country and local peoples had existed in order to build roads and dwellings.

Richard and Sarah Jane have worked together as collaborators and friends since meeting in 1988 through their creative arts studies at the University of Wollongong.

Working via distance on iPhones, through Steinberg Studio Passes and through VST Connect, Richard and Sarah Jane record the song in the coming weeks. Brian Landigran will work as sound engineer on the song writing project.

Down the track Sarah Jane wants to create videography around the song that explores the Sea Countries and oyster beds that she imagines and creates.

Watch (and listen) to this (sea) space.

 

 

Posted by on June 5, 2019 in Uncategorized

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I know where oysters lie series 1

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‘I Know Where Oysters Lie’ is a work of text, image and song that maps Sarah Jane’s research relationship with Laura Parker, an Indigenous Australian Scientist who has focussed her career on the impacts of climate change on marine molluscs, particularly the Baludarri (Sydney Rock Oyster). Laura’s research provides solutions to prevent the destruction of the Baludarri.

The ‘I Know Where Oysters Lie’ creative arts based series sets up an encounter with the Baludarri for the viewer, reader and the listener.  By telling the stories of the oysters that lie deep within the roads, the walls, the buildings of the early colony in Sydney the oysters come out of exile and are freed to live again. Through text, music, moving and still images the series asks how can we story the coloniser’s destruction of ancient reefs, stories and traditions in the early days of settlement at Sydney Cove? How we can we honour Sea Country? The encounter maps conversations between artist and scientist in a work that expresses resistance, survival and growth. 

The research conversation explores ways of encountering the remnant shell and presents memories, sounds and songs.  It ponders ways of connecting to the family line of the Baludarri through the embedding of treasured objects and textiles alongside the shells and within the surfaces of the art works.

Sarah Jane conjures Sea Country and in so doing she opens the possibilities for cultural links for Indigenous Australians to re encounter their traditional lands. 

The series sings up recovery, survival and revival.

 

 

 

Posted by on June 1, 2019 in Uncategorized

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Posted by on June 1, 2019 in Uncategorized

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The world is our oyster; thinking through the Baludarri

Like bottom dwellers,

Memories flow like rivers.

Families connect

And seeds disperse.

I am told that it is through the microscope

That her first stage of life

Is dance.

I am told that she moves through the water column and is mobile.

I am told that she flutters.

In her early stages

She is restless

She does not settle

But rises with the tide

It is later that I see her heartbeat

It is later that I cut her

Cut her out and

Remove her shell

Her flesh is soft and salty

She bubbles

And dies

The world is our oyster.

 

Posted by on May 19, 2019 in Uncategorized

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Oyster Bed

I know where oysters lie a poem for voice by Sarah Jane Moore

 

I know why the caged bird sings

I know where oysters lie

I know where the cold wind blows

The stories they survived

Ripped and stripped they sailed on ships

Dug out reefs every tide

lined with mortar stuck in stones

The colony did rise.

 

Oyster Bed, Oyster Bed

Hacked and split and left for dead

Oyster Bed, Oyster Bed

Broken shell and clans not fed

 

In ancient times the birds flew free

ancestral wings did glide

oysters spawned on milky dawns

and moon bird wings were wide

squid on hooks, disrupted nooks

feathers they did fly

culture, water, wind and song

two stories did collide.

 

Oyster Bed, Oyster Bed

Hacked and split and left for dead

Oyster Bed, Oyster Bed

Broken shell and clans not fed

 

Claiming Country

Sea Birds Fled.

Chaos on Country.

Sea

Birds

Fled.

 

Posted by on May 16, 2019 in Uncategorized

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